Until recently I did not realize how many different types of leaf photographs I had. Leaves are fascinating. They bud in the spring and are a lively green; then in the fall, they change to reds, yellows, and oranges. Structurally, leaves have veins, stems, and are textually interesting. I love to bring that texture forward in my photographs.
I had posted the above before and after in my post “Creativity: Where Does it Start?” I had transformed the ordinary palm leave to be viewed “differently”. I feel as a photographer it is my job to challenge our view of reality from time to time. The processing I chose for this image changed the color as well as the perspective of the image. It also highlighted the details in the leaf and stem.
On the left you see the original image of the green leaves. I liked how the light was hitting the leaves and felt there was a “photograph” somewhere in this image. I began using my crop tool and started dragging it around the image until I settled on a crop I thought was pleasing to the eye. There was so much going on in the original photograph that I needed to isolate a section. I then converted it to black and white. The tonal range of the image worked well with that choice. I then finished my editing in On1 Effects to add texture and to bring out the details in the leaves.
The above sycamore leaf was taken with my Sigma 120 – 300 f/2.8 zoom. I removed the lower right stem with the patch tool in Photoshop, then edited the color and texture in On1 Effects. The transformation was just what I wanted.
I was trying out my Tamron 28 – 300 f/3.5 – 5.6 and captured this leaf hanging off of my maple tree. I was exploring for things to photograph with the lens as I had just purchased it from KEH. I brought out the texture and details using On1 Effects. The sharpening tools in On1 Effects does a great job bringing out the details in images.
This was another leaf I was practicing on with my Tamron 28 – 300 f/3.5 – 5.6. It was a single color leaf among the dry gray and brown leaves. It caught my attention while walking around my patio.
I spotted the oak leaf while walking around William and Mary College’s Campus this fall. While the image itself is a little soft, I enhanced that softness by decreasing the clarity. The colors are very vibrant. I added a soft white vignette to make the leaf stand out.
Above are a few of my other leaf images I have captured over the last year. I hope you enjoyed exploring the world of leaves! Effects 10 is available as a free download!
Every so often I browse through my images and something catches my eye. I look at it and think, “What can I do with this?” Images like this have so much detail and I like converting that detail into an HDR-like image. I started out by making a few adjustments to the shadows and highlights in Lightroom. I then moved the image over to On1 Effects to do the rest. I used the Amazing Detail Finder, Clarity, I lightened the shadows, Exaggerated the tones and edges, and added a subtle HDR look to the image. I moved it back into Lightroom to adjust the contrast slightly for my finished product.
See the before and after side by side:
Never give up on images you may have in your files. I hear people all of the time say they delete pictures. While I have many, many images I will never process, occasionally I find one that surprises me!
After posting this blog, it was suggested to me to see what the image looked like in black and white. Here is the result:
We are all familiar with the chicken and egg concept…which came first? In photography we are faced with a similar dilemma, do our creative ideas come when the photograph is taken or afterwards in post-processing?
There are times when an image is photographed with an end result in mind. Then there are times during post-processing when an idea emerges on how to create a special image.
Take this palm leaf for example:
It is a nice image, but it is not “special”. How about if the perspective is changed?
A diagonal line forces the eye to move up through the photograph. While it is an acceptable image, what else can be done to make it more interesting?
By changing the color and adding textures to the image it changed the look all the way around. A tilt-shift was added on a diagonal to give a soft blur to the edges. On1 Effects is an easy way to make these changes. After the changes were made and tweaked, the images were then saved back into Lightroom.
Once the image was imported back into Lightroom, the Trey Ratcliff HDR Romance Soft pre-set was applied and the image was cropped.
Using Lightroom and On1 together is simple. If On1 is set up as a plug-in program to Lightroom, you right click on your image and choose <Edit in> and select the module you need. It will save a copy in Lightroom with your initial edits and then when you are finished in On1 it will save those changes in Lightroom so you can make additional edits if necessary.
Enjoy being creative!
Happy New Year to all! Each new year brings hope and the prospect of new opportunities for us to pursue.
On April 23, I will host my first Spring Flower Workshop. You will notice that I do not always use a macro lens to capture a nice sharp close-up. A good zoom lens (like the one your received if you purchased a kit) will give you the range you need to create wonderful close-up images. If your zoom says “macro” on it, you will be able to get a little closer than you would with a regular zoom lens. It is not a 1:1 macro, but you should be able to get close enough to capture many of the small details in your image. I wanted to share some of my macro/close-up images from 2015 to inspire you to get out and explore your surroundings!
This first group of images was taken in Colorado at Garden of the Gods. I saw this as the life span of a thistle. Through the series you can see how it changes over time. These were taken with my Tamron 24 – 75mm f/2.8. I often use it as a carry around lens and it has great close-up capabilities. I love how it blurs the background, but keeps the main image sharp.
This image will always be special to me. It was taken at the Shoot the Hills weekend photography competition. You are not able to edit your images and you have to choose your best image in each category (approximately 6 images) and turn those in to the judges. The white trillium was taken with my Sigma 105mm Macro lens using the ring flash. This was my first time participating in the competition; the image won an honorable mention in the Flora Category.
While not a flower; this cat is a nice example of a close-up image. Eyes are in focus and looking straight into the camera! I had put my camera on the ground and “hoped” it would focus on the right area. Again, this was taken with my Tamron 24 – 75mm f/2.8.
I enjoy experimenting with textures and other processing techniques. I try to look for interesting forms and shapes in my surroundings. This was taken at the Huntington Museum of Art Conservatory. It is a wonderful place to take photographs. Most of the time is is not crowded and it is great to go to on a cold day. The palm branch was processed using the On1 Photo system.
I also look for leading lines. The vine entwined itself along the branch of this plant. There is a nice curve for the eye to follow.
Young Coneflower was an image I enjoyed experimenting with. I had photographed the coneflower in front as it developed over several days. I wanted a nice linen texture and painterly feel. I used a combination of Oil Paint filter in Photoshop and did texture layering using On1 Photo. I had it printed on metallic paper with a linen texture. It does have the look and feel of a painting.
This was taken in North Carolina at Thanksgiving. I saw the “lone” leaf sticking up off of a branch in the woods. This was photographed with my Sigma 120 – 300mm f2.8. The image was processed in Lightroom.
In my opinion, I saved the best for last! My image, Purple Basil, was captured with the LensBaby Spark. The Spark comes with multiple disks that you can insert to create interesting shapes out of light. I did very little processing to this image; just basic adjustments using Lightroom. The morning sun was hitting the leaf just right. I had only a couple of minutes to photograph the leaf and the light was gone! I print this image on metallic paper and also have had a metal print created. The highly saturated colors pop on the metallic mediums. It won an Honorable Mention at the Foothills Competition in the fall.
I hope you have enjoyed the 2015 recap of my favorite images! I look forward to sharing more information in 2016!
Watch for notices of my classes and workshops for the upcoming year!
As 2015 comes to a close, I have decided to share my favorite images of 2015 and why they are special to me. I hope you enjoy these images as much as I do!My first image was taken this fall at Arlington National Cemetery. I was fortunate enough to be witness to the funeral of 3 Star General Frank E. Petersen, Jr. He was the first African American Aviator in the United States Marine Corps. He was also the first African American Marine General. The photograph holds a special memory for me and also marks an event in history. My next landscape is of New River Gorge in West Virginia. The photograph displays the vastness of this region and the beauty of the fall colors. This was my first trip there; I do plan on going back. As I was walking around the Great Sand Dunes National Park area, I saw this couple walking toward me. I used the trees to frame them and to demonstrate the size of the area. The woman was dressed in a white desert type outfit, like the kind you would see Katharine Hepburn wear in African Queen. They looked like they had been on safari.
The two images above are from the Cadillac Ranch in Amarillo, Texas. I had taken a trip out west in 2013 and passed this area without knowing what it was until after the fact. I knew we were going to be going past here again so I made sure we stopped. The bold, highly saturated colors stand out against the cloudless blue sky. My daughter enjoyed the fact she could “legally” paint graffiti onto an object and not be arrested. Her initials EM were boldly painted in yellow and I’m sure were gone by days end. What a great experience though!It was great to travel some of the back roads through Colorado and New Mexico. To see the sunset over the mountains was breathtaking. I saw all of the wooden structures in the field and pulled off the road to capture a few shots of the beautiful sunset. This cabin is in a very private area of Adams County, Ohio. I was hiking one day in early spring and stopped at the top of an incline to look around. When I looked behind me I saw the cabin’s red tin roof. It stood out from all of the branches and trees. This image is currently on loan to the Ohio Governor’s Office from 2015 – 2017.
The next 3 images are ones that I did special processing on to give the images an aged feeling or to enhance specific details in the photograph.I had taken a winter workshop in Oakland, Maryland and one of our stops was an Amish farm that gave sleigh rides. I processed this image with the On1 Photo suite. As I worked on it the scene became that of a Currier and Ives style “painting.” I used this as my Christmas Card this year. I photographed this old grist mill in Oak Ridge, North Carolina over Thanksgiving. While the original photograph was nice, I decided to add a little texture to the image and give it an aged feel. I used the On1 Photo processing system to bring out the details and to add texture to the photograph. My final favorite landscape image from 2015 is that of a Tabby Shack on Ossabaw Island along the coast of Savannah, Georgia. The leading lines of the road allows the eye to travel along these historical structures. This image was also processed with On1 Photo to give it an aged appearance.
I hope you enjoyed these images! Photographs capture our moments in time and bring back the memories connected to those moments.
Look for my other favorites of 2015!
Since posting my blog on using On1 10, I have received approval to be an On1 Affiliate. You can click the link at the bottom of my post to learn more about the On 1 software.
On1 10 was released in November. I have been an On1 user since about version 6. I received a free version of Perfect Effects for attending a Kelby Photoshop Workshop. I thought it was odd they had another company promoting their products at the workshop, but I took the time to watch the demo during our lunch break.
What I found out was On1 can be used as a plug-in or as a stand alone software. I have used it both ways. I make my adjustments in Lightroom then move my image over to On1 Effects to further process my image.
For me On1 is a very simple way to enhance my images using the filters they have built into the program. I am able to layer and mask my images to bring out the details I want or to add in textures or other color enhancements to make my images stand out. And as an O1 user, I receive several preset packages throughout the year. Most of the time I create my own images, but I also try the others out.
My favorite adjustments in On1 Effects are the Amazing Detail Finder located under the sharpening tab and clarity under the tone enhancement tab. I find that these two adjustments bring out details in my images that I may have not noticed.
I use a Nikon D800E DSLR and shoot in RAW. The image above was taken with a Tamron 28 -75mm f/2.8 lens. My settings were ISO 320, f/11, 28mm, 1/160 sec. The light was behind me and it was about 4:00 in the afternoon. While I was happy with my original image I decided to work with it in On1 Effects. I used the adjustments I mentioned above and then worked on the highlights and shadows. On1 works similar to Photoshop in that you can make adjustments in different layers and if you are not happy with the change you can always go back and change or delete the layer. I also added a leather texture to the image which created a warm feel. When I photograph a landscape with an older structure, such as this grist mill, I prefer to age the photograph to give it character.
The image on the left is what was captured out of the camera. On the right I used the On1 Effects to pull out the detail in the bricks and to give the image a more surreal look. The time of day I captured my images made the reds pop. My settings were the same as in the images above. After I adjust in O1, it saves it back into my Lightroom catalog and I can
This is a collection of bottles in a potting shed. I thought this made a nice grouping. I did not move anything, just photographed it “as is”. My settings were ISO 800, f/4.0, 1/125, at 38mm with a Tamron 28 – 300mm. I like how the coarse detail in the wood was revealed using the Amazing Detail Finder. I also used a subtle HDR look in this image. I like photographs with lots of texture.
Many times On1 offers the On1 Effects module as a trial; that’s how I started. In the full suite they had enhance, portrait, resize, and B&W modules, too. I have used all of these at one time or another. What I like about On1 is it’s ease of use. I have produced several images with On1 that have been in exhibits, competitions, and have won awards.
Thanks for reading! Photography provides infinite opportunities for learning!