I decided to try focus stacking. Focus stacking is when you take a series of images and you focus on one section of the image at a time, then save them as PSD images. The key is to have your camera on a tripod so you do not change position.
Open the images then go to File>Scripts>Load Files into Stacks. After you stack the files you go to Edit>Auto-Blend-Layers.
The image will be in focus throughout.
This was fun to try. I will have to try it again sometime.
When photographing nature we encounter imperfect subjects. It takes a little patience and imagination to make corrections to an image after it’s captured.
While looking through images that were photographed this summer, this one was intriguing. The bug on the coneflower was lost in the shadows and was very much in focus.
The shadow slider in Lightroom opened the area and other adjustments were made to the image. Then the gap on the left kept screaming! Cropping did not help, so the image was edited in Photoshop (Photoshop is used as a plug-in to Lightroom). The magic brush tool was used to capture a piece of the adjacent area and a layer was created of that selection. The petal was turned and transformed, then a layer mask was applied so the petal could be blended in with the rest of the flower.
Then the space on the right was an attention grabber. The same technique was applied. After the second petal was added the image was saved in Lightroom and the radial filter and adjustment brush was used to make sure the bug was the central focus of the image.
Nature is imperfect and as the old margarine commercial says, “It’s not nice to fool Mother Nature!” there are those who believe that you capture the image “as is” and make no changes. Making changes to an image that is imperfect has it’s merit. The photographer has to make the decision if the risk of “fooling Mother Nature” is worth taking!
Happy New Year to all! Each new year brings hope and the prospect of new opportunities for us to pursue.
On April 23, I will host my first Spring Flower Workshop. You will notice that I do not always use a macro lens to capture a nice sharp close-up. A good zoom lens (like the one your received if you purchased a kit) will give you the range you need to create wonderful close-up images. If your zoom says “macro” on it, you will be able to get a little closer than you would with a regular zoom lens. It is not a 1:1 macro, but you should be able to get close enough to capture many of the small details in your image. I wanted to share some of my macro/close-up images from 2015 to inspire you to get out and explore your surroundings!
This first group of images was taken in Colorado at Garden of the Gods. I saw this as the life span of a thistle. Through the series you can see how it changes over time. These were taken with my Tamron 24 – 75mm f/2.8. I often use it as a carry around lens and it has great close-up capabilities. I love how it blurs the background, but keeps the main image sharp.
This image will always be special to me. It was taken at the Shoot the Hills weekend photography competition. You are not able to edit your images and you have to choose your best image in each category (approximately 6 images) and turn those in to the judges. The white trillium was taken with my Sigma 105mm Macro lens using the ring flash. This was my first time participating in the competition; the image won an honorable mention in the Flora Category.
While not a flower; this cat is a nice example of a close-up image. Eyes are in focus and looking straight into the camera! I had put my camera on the ground and “hoped” it would focus on the right area. Again, this was taken with my Tamron 24 – 75mm f/2.8.
I enjoy experimenting with textures and other processing techniques. I try to look for interesting forms and shapes in my surroundings. This was taken at the Huntington Museum of Art Conservatory. It is a wonderful place to take photographs. Most of the time is is not crowded and it is great to go to on a cold day. The palm branch was processed using the On1 Photo system.
I also look for leading lines. The vine entwined itself along the branch of this plant. There is a nice curve for the eye to follow.
Young Coneflower was an image I enjoyed experimenting with. I had photographed the coneflower in front as it developed over several days. I wanted a nice linen texture and painterly feel. I used a combination of Oil Paint filter in Photoshop and did texture layering using On1 Photo. I had it printed on metallic paper with a linen texture. It does have the look and feel of a painting.
This was taken in North Carolina at Thanksgiving. I saw the “lone” leaf sticking up off of a branch in the woods. This was photographed with my Sigma 120 – 300mm f2.8. The image was processed in Lightroom.
In my opinion, I saved the best for last! My image, Purple Basil, was captured with the LensBaby Spark. The Spark comes with multiple disks that you can insert to create interesting shapes out of light. I did very little processing to this image; just basic adjustments using Lightroom. The morning sun was hitting the leaf just right. I had only a couple of minutes to photograph the leaf and the light was gone! I print this image on metallic paper and also have had a metal print created. The highly saturated colors pop on the metallic mediums. It won an Honorable Mention at the Foothills Competition in the fall.
I hope you have enjoyed the 2015 recap of my favorite images! I look forward to sharing more information in 2016!
Watch for notices of my classes and workshops for the upcoming year!
Try to imagine going to sleep at night and being able to enter the world of dreams. You rise up out of bed, only it is your spirit not your physical being; your subconscious drifts and works its way through the dark hall way into the world of a dream. The guarded door opens and the Dream Maker welcomes you to the world. You see stallions galloping over your head. Butterflies greet you. Flowers become living, flowing creatures waving and paving your way into to this magical world. You see your reflections around you. The portal is only the beginning.